New York Times - Art & Design

After 15 years, Deutsche Guggenheim, an outpost of the Solomon R. Guggenheim Museum in the headquarters of Deutsche Bank in Berlin, is closing at the end of the year.

The newly renovated iconic design and interiors shop in Stockholm now serves tea.

Mr. Leiber founded a San Francisco gallery that is a prime source for brochures, posters, fliers and the like produced by artists.

A look at images from an exhibition at Pace Gallery.

A washing machine and a bra — but not much else.

The winter accessory has evolved from its original wiry form to warm the ears of the armed forces and pageant queens.

In advance of the Pace exhibition “Happenings: New York, 1958-1963,” some of the creators and participants of those fabled events spoke about their lasting influence.

“Rachel Perry Welty: 24/7” runs through July 8 at the Jane Voorhees Zimmerli Art Museum.

Ceramic artists at Adelphi University find that the unpredictability of the wood-fired anagama kiln yields beautiful pieces, which will be on display there through Feb. 20.

MoMA has purchased important works from the 1960s and ’70s by the feminist artists Valie Export and Martha Rosler.

Some of Retha Walden Gambaro’s sculptures are on view through May 13 in an exhibition at the Heard Museum’s new sculpture garden in Phoenix.

“Gran Fury: Read My Lips,” an exhibition at New York University’s 80WSE gallery, recalls when members of a collective of AIDS activists channeled their outrage through art.

The new exhibition at the Neuberger Museum reunites the Four Musketeers of New York painting: John Graham, Arshile Gorky, Stuart Davis and Willem de Kooning.

The painter Bryan Drury, whose intensely realistic portraits register pores, wrinkles, grainy skin and a certain strangeness, has a show at Dean Project.

A Birmingham, Ala., collection of “lover’s eyes”; a book about breakfast cereals; and a modernist jewelry designer with a compulsion for detail.

Canvases that consist of the day, month and year of its making, recorded in simple white sans-serif text on a solid background, make up many of the works on view in On Kawara’s show “Date Painting(s) in New York and 136 Other Cities,” at the David Zwirner Gallery.

“Rumble,” Rashid Johnson’s solo show at Hauser & Wirth, was partly inspired by that gallery’s town house, which once belonged to the boxing promoter Don King, organizer of the 1974 “Rumble in the Jungle” heavyweight fight.

With their simple geometric shapes and quirky details, the small works in “Anonymous Tantra Paintings” at Feature Inc. are not intended foremost as art but as aids to meditation rituals.

“Van Gogh Up Close,” at the Philadelphia Museum of Art, examines the artist’s relationship to nature at its most intimate.

Paintings by Henry Taylor are visual equivalents of the blues, reflecting the rough world of his own experience, but with a spirit of generosity and love.